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Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and

Zapp, Andrea. net.drama:// myth/mimesis/mind_mapping In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 77-89. London, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In VIDÉOFORMES 98. Culture Contemporaine Arts Video, Nouvelles Technologies, edited by G. Soucheyre, 10-13. Clermont Ferrand: Turbulences Vidéo, 1998.

Leavitt, Ruth. Artist and Computer. Artist and Computer (1976).

Schuricht, Susanne. Freequent Traveller: Interaction Versus Contemplation In TEI'07 Proceedings of First International Conference on Tangible and Embedded Interaction, edited by TEI'07Baton Rouge, Louisiana, USA: ACM /U.S.A., 2007.

Dove, Toni. Mesmer: Secrets of the Human Frame. New York: Granary Books, 1993.

Velthoven, Willem and Jorinde Seijdel, ed. Multimedia Graphics: The best of Global Hyperdesign. San Francisco, CA: Chronicle Books, 1996.

Shaw, Jeffrey. Modalities of Interactivity and Virtuality Scan+ Electronic Media Arts 4 (1993): 19-20.

Brower, Joke and Arjen Mulder, ed. Information Is Alive. Rotterdam, NL: V2_Publishing, 2003.

Dinkla, Söke. George Legrady in der Kunst- und Austellungshalle Bonn, Deutschland Das Kunst-Bulletin 1/2 (Jan/Feb 1998).