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Text as Genetic Code: Creating Visual Language on the Internet
1999
Sommerer, Christa and Laurent Mignonneau. Text as Genetic Code: Creating Visual Language on the Internet In CADE’99 Computers in Art and Design Conference Proceedings, , Appendix. Teeside: University of Teeside, 1999.
Repräsentation
1994
Mitchell, W. J.. Repräsentation In Was heisst "Darstellen"?, edited by Christiaan L. Nibbrig-HartFrankfurt/Main: Suhrkamp, 1994.
Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft
2004
Weibel, Peter. Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft In Iconic Turn. Die neue Macht der Bilder, edited by Christa Maar and Hubert Burda, 216-226. Köln, DE: DuMont Buchverlag, 2004.
Osmose: L´univers de Char Davies
1995
Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.
Metaphors of participation / Metaphern der Partizipation
2001
Ranzenbacher, Heimo. Metaphors of participation / Metaphern der Partizipation In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York:
La polysensorialité dans Osmose de Char Davies
2000
Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.
Art and Science - A Model of a New Dynamic Interrelation
1998
Sommerer, Christa and Laurent Mignonneau. Art and Science - A Model of a New Dynamic Interrelation In Art @ Science, edited by Christa Sommerer and Laurent Mignonneau, 7-23. New York, Wien: Springer Verlag, 1998.
Natural Artifice
1991
Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
Techne as poiesis: Seeking Virtual Ground
1997
Davies, Char. Techne as poiesis: Seeking Virtual Ground edited by Roy Ascott, 28. : University of Wales, Newport, 1997.
Osmose: Towards Broadening the Aesthetics of Virtual Reality
1996
Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.
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