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Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency 2003

... and the Myth of Transparency. Cambridge, MA: MIT Press, 2003.
Control and Freedom: Power and Paranoia in the Age of Fiber Optics 2006

... in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Programmed Visions: Software and Memory. Software Studies Series. 2011

... Software Studies Series.. Cambridge: MIT Press, 2011.
Feminism, Culture, and Media Studies: Race and/as Technology 2009

... Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke...
Entrepreneurs, squatters and low-tech artisans: DIYbio and Hackerspace models of citizen science between EU, Asia and USA 2011

... DIYbio and Hackerspace models of citizen science between EU,...
Borges, Science Fiction, Hyperfiction: three means to Post-Human ?Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? 2007

... Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu ...
The Practice of LightA Genealogy of Visual Technologies from Prints to Pixels 2014

... to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.
The Cinema Effect 2005

...Cubitt, Sean. The Cinema Effect. Cambridge: MIT Press, 2005.
Warren Neidich: Camp O.J. 2000

... and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia:...
Warren Neidich: Historical In(ter)vention 1991

... Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List...

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