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For an aesthetics of transmission 2006

...Beiguelman, Giselle. For an aesthetics of transmission First...
Copiar é preciso. Inventar não é preciso. 2011

Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.
Linguagens Líquidas na era da mobilidade 2009

Santaella, Lucia. Linguagens Líquidas na era da mobilidade. São Paulo: Paulus, 2009.
HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks 2010

Beiguelman, Giselle, ed. HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks. São Paulo: Instituto Sergio Motta, 2010.
Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. 2013

Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.
Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age 2013

... virtual: art in the Internet of Things age In...
Searching instead of Finding: The Digital Archive as Find Engine. 2014

... instead of Finding: The Digital Archive as Find...
_HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens 2010

Beiguelman, Giselle, ed. _HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens. São Paulo: Instituto Sergio Motta, 2010.
apropriations of the (un) common public and private space in times of mobility 2009

... ed. apropriations of the (un) common public and...
“Os trópicos parecem conspirar contra a memória” 2014

Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).

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