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On Location: landscape cinema and digital memory 2017

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
Utopia or Oblivion: The prospects for humanity 1969

Fuller, R. Buckminster. Utopia or Oblivion: The prospects for humanity. Los Angeles: The Estate of Buckminster Fuller, 1969.
Shakespeare and Elizabeth: The meeting of two myths 2009

Hackett, Helen. Shakespeare and Elizabeth: The meeting of two myths. Princeton, NJ: Princeton Univ. Press, 2009.
Hamlet made simple and other essays 2013

Gotar, David P.. Hamlet made simple and other essays. London: New English Review Press, 2013.
Modern Women: Women Artists at The Museum of Modern Art 2010

Butler, Cornelia and Alexandra Schwartz and Griselda Pollock and Aruna D'Souza, ed. Modern Women: Women Artists at The Museum of Modern Art. New York: The Museum of Modern Art, 2010.
The eye. A very short introduction 2014

Land, Michael F.. The eye. A very short introduction. Oxford: Oxford Univ. Press, 2014.
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’ 2017

NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
The brain as a site specific performative space 2015

Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.
The brain as a hackable driver 2016

Ellen Pearlman. The brain as a hackable driver https://archive.org/details/livestream-131669108.
The brain as a hackable driver 2016

Ellen Pearlman. The brain as a hackable driver https://archive.org/details/livestream-131669108.

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