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Memory Tracks
1995
Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Creative Code
2004
Maeda, John. Creative Code. London: Thames&Hudson, 2004.
Nouveaux terrains d’apparition
2013
Courchesne, Luc. Nouveaux terrains d’apparition In Cinéma. interactivité et société, edited by Jean-Marie DalletPoitiers/Bruxelles: 2013.
Posture: An experiment in multifold reality
2013
Courchesne, Luc. Posture: An experiment in multifold reality In Architecture In Formation, edited by Pablo Lorenzo-Eiroa and A. SprecherNew York: Routledge: 2013.
The In/Visible Domain
2009
Courchesne, Luc. The In/Visible Domain. Montreal: Ideaction, 2009.
Art Design and Beyond
2009
Courchesne, Luc. Art Design and Beyond In Re-thinking the Contemporary Art School, edited by NSCAD PressHalifax: 2009.
Ser Digital; Manual para náufragos de la cultura electrónica.
2009
ALCALÁ MELLADO, José Ramón. Ser Digital; Manual para náufragos de la cultura electrónica.. Santiago de Chile (Chili): Ediciones de la Universidad de Chile., 2009.
‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’
2014
Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.
‘Intervention’ catalogue essay
2013
Nils Jean. ‘Intervention’ catalogue essay Disruption Biennial RCA Research Exhibition book (January 2013).
‘Instructions’ catalogue essay for Fieldwork 2
2012
Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).
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