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Stone, Allucquére Rosanne. Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures In Cyberspace: First Steps, edited by Michael BenediktCambridge: The MIT Press, 1992.

Stone, Allucquére Rosanne. Virtual Systems In Zone 6: Incorporations, edited by Jonathan Crary and Sanford KwinterCambridge, MA: The MIT Press, 1993.

Stone, Allucquére Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge, MA: The MIT Press, 1995.

Lovejoy, Margot. Digital Currents: Art in the Electronic Age. London/New York: Routledge, 2004.

Jones, Caroline A. ;Galison, Peter Louis, ed. Picturing Science, Producing Art. London: Routledge, 1998.

Gibson, Ross, ed. Remembrance + the Moving Image. Melbourne, AUS: ACMI Australian Center for the Moving Image, 2003.

Weibel, Peter; Peter Fleck (Hg.). Gespräch mit Friedrich Kittler In Peter Weibel. Zur Rechtfertigung der hypothetischen Natur der Kunst und der Nicht-Identität in der Objektwelt, edited by Robert Fleck, 149-163. Köln, DE: Grunnert, 1992.

Stone, Allucquére Rosanne. Innocence and Awakening: Cyberdämmerung at the Ashibe Research Laboratory In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs (Late Editions Cultural Studies for the End of the Century, No. 2), edited by

Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.

Malina, Roger F.. Leonardo Timeshift In Ars Electronica 2004: Timeshift: Die Welt in 25 Jahren/ Timeshift: The World in 25 Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.