Archive Search

...Iglhaut, Stefan and Hubertus v. Amelunxen and Florian Rötzer. Photography after the Photography. London: G and B Arts International, 1996.

...ZKM Karlsruhe, ed. Hardware - Software - Artware: Die Konvergenz von Kunst und Technologie. Kunstpraktiken am ZKM Institut für Bildmedien 1992 - 1997. Ostfildern-Ruit: Hatje Cantz, 1997.

...Jones, Stephen. Breathing/Diving/Dreaming/Dancing BEAP in Perth (You Can´t Buy These Emotions off the Hollywood Shelf) Artlink 22, no. 4 (2002).

...Krueger, Myron. Artificial Reality II. Amsterdam: Addison-Wesely Longman, 1991.

...Krueger, Myron. Artificial Reality: Past and Future In Virtual Reality: Theory, Practice, and Promise, edited by Sandra Helsel and Judith Paris Roth, 19-25. London: Meckler Publishing, 1991.

...Mendelowitz, Eitan. The Emergence Engine: A Behavior Based Agent Development Environment for Artists In Proceedings of the Twelfth Conference on Innovative Applications of Artificial Intelligence (IAAI), edited by Los Angeles University of CaliforniaLos Angeles, CA:...

...Kac, Eduardo. Novos Rumos na Arte Interativa Veredas 3, no. 32 (August 1998): 12-15.

...Massumi, Brian and Toni Dove. The Interface and I: A Conversation Between Brian Massumi and Toni Dove Artbyte Magazine 1 (Feb/March 1999): 30-37.

...Langton, Christopher G., ed. Artificial Life. An Overview. Cambridge, MA: MIT Press, 1995.

...Malina, Roger. Moist Realities: The Arts and the New Biologies Leonardo 29, no. 5 (1996): 351-353.