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Badler, Norman and D. Metaxas and B. Webber and M. Steedman. The Center for Human Modeling and Simulation Presence 4, no. 1 (1995): 81-96.

Von Amelunxen, Hubertus and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.

Dove, Toni. Mesmer The Drama Review (TDR) (Summer 1992): 62-76.

Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.

Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.

Schwarz, Hans-Peter, ed. Medien - Kunst - Geschichte. Anläßlich der Eröffnung des Museums für Neue Kunst, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe am 18. Oktober 1997, Medienmuseum th ed.München, London, New York: Prestel Verlag, 1997.

Zapp, Andrea. The Metaphor of Touch – Identification, Personality and Contact within the Screen In 6th International Symposium on Electronic Art, ISEA, Proceedings, , 322-324. Montreal, Canada: 1996.

Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.

Weibel, Peter. Medienkunst, Gewalt, Staat und Subversion. Ein Gespräch mit Rudolf Maresch Symptome, Zeitschrift für epistemische Baustellen 12 (1993): 39-47 and 79f.

Albertini, Rosanna. Un art fait de mémoire Esthétique des Arts Médiatiques 2 (1995).