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Weibel, Peter. Vom Verschwinden der Ferne. Telekommunikation und Kunst In Vom Verschwinden in der Ferne, edited by Peter Weibel and Edith DeckerKöln, DE: DuMont Reiseverlag, 1990.

Von Amelunxen, Hubertus and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.

Pommier, Edouard. Théories du portrait. De la Renaissance aux Lumières. Paris: Gallimard, 1998.

Legrady, George and Brigitte Steinheider. Realizing a Digital Media Installations: Problems and Synergetic Effects of an Interdisciplinary Collaboration In Proceedings of MTAC 2001, Multimedia Technology and Applications, UC Irvine, , 255-260.

Dove, Toni. Mesmer The Drama Review (TDR) (Summer 1992): 62-76.

ZKM and Graz Neue Galerie, ed. Jeffrey Shaw - eine Gebrauchsanweisung - Vom Expanded Cinema zur Virtuellen Realität. Ostfildern-Ruit: Hatje Cantz Verlag, 1997.

Stoichita, Victor. A Short History of the Shadow. London, UK: Reaktion Books, 1997.

Davies, Char and John Harrison. Osmose: Towards Broadening the Aesthetics of Virtual Reality Computer Graphics (ACM SIGGRAPH) 30, no. 4 (1996): 25-28.

Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.

Billinghurst, Mark. Collaborative Augmented Reality Communcations of the ACM - How the Virtual Inspires the Real 45 (July 2002): 64-70.