Archive Search

Public CulturalProduction Art(Software){Author: Paul, Christiane

Henderson, Linda Dalrymple and Bruce Clarke, ed. From Energy to Information: Representation in Science and Technology, Art, and Literature. Stanford: Stanford University Press, 2002.

Shanken, Edward A.. Cybernetics and Art: Cultural Convergence in the 1960s In From Energy to Information: Representation in Science, Technology, Art, and Literature, edited by Linda Dalrymple Henderson and Bruce Clarke, 255-277. Palo Alto, CA:

Bedau, Mark A.. Philosophical Content and Method of Artificial Life In The Digital Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.

Belting, Hans. Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst. München: C.H. Beck, 1990.

Frith, Simon and Will Straw and John Street. The Cambridge Companion to Pop and Rock. Cambridge, MASS: Cambridge University Press, 2010.

Gagnon, Jean. Portraits of Dialogue: The Condition of Sociability in the Interactive Portraiture of Luc Courchesne HorizonZero 11 (2004).

Bruno, Giuliana. Atlas of Emotions : Journeys in Art, Architecture, and Film. London, New York: Verso, 2002.

Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.

Huhtamo, Erkki. Elements of Screenology : Toward an Archaeology of the Screen Iconics: International Studies of the Modern Image 7 (2004): 31-82.