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Frith, Simon and Will Straw and John Street. The Cambridge Companion to Pop and Rock. Cambridge, MASS: Cambridge University Press, 2010.

Gagnon, Jean. Portraits of Dialogue: The Condition of Sociability in the Interactive
Portraiture of Luc Courchesne HorizonZero 11 (2004).

Bruno, Giuliana. Atlas of Emotions : Journeys in Art, Architecture, and Film. London, New York: Verso, 2002.

Gunning, Tom. Never Seen This Picture Before; Muybridge in Multiplicity In Time Stands Still: Muybridge and the Instantaneous Photography Movement, edited by Phillip Prodger, 222-272. Oxford: Oxford University Press, 2003.

Huhtamo, Erkki. Elements of Screenology : Toward an Archaeology of the Screen Iconics: International Studies of the Modern Image 7 (2004): 31-82.

Därmann, Iris. Tod und Bild : eine phänomenologische Mediengeschichte. München: Fink, 1995.

Kluszczyński, Ryszard W.. Screens/Images/Worlds_Transformations of Seeing Art Inquiry V (2003): 87-104.

Nadarajan, Gunalan. Spectres of the Animal: The Transgenic Works of Eduardo Kac In The Eighth Day: The Transgenic Art of Eduardo Kac, edited by Sheilah Britton and Dan Collins, 44-50. Tempe: The Institute for Studies in the Arts, Arizona State...

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.

Henderson, Linda Dalrymple. The Fourth Dimension and Non-Euclidean Geometry in Modern Art Leonardo 17, no. 3 (1984): 205-210.