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apropriations of the (un) common public and private space in times of mobility 2009

... ed. apropriations of the (un) common public and...
“Os trópicos parecem conspirar contra a memória” 2014

Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
Os trópicos parecem conspirar contra a memória 2014

Raphael Fonseca. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
Os trópicos parecem conspirar contra a memória 2014

Fonseca, Raphael. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
Espaços de Subordinação e Contestação nas Redes Sociais 2012

Beiguelman, Giselle. Espaços de Subordinação e Contestação nas Redes Sociais Revista USP , no. 92 (December/ February 2012): 20-31.
Algorithmisiert 2014

Eckermann, Sylvia, ed. Algorithmisiert. Vienna: Czernin Verlag, 2014.
Interface Cultures. Artistic Aspects of Interaction 2008

Christa Sommerer, Laurent Mignonneau, Dorothée King, ed. Interface Cultures. Artistic Aspects of Interaction. Linz: Christa Sommerer, Laurent Mignonneau, Dorothée King, 2008.
Digitale Medien in der Erlebnisgesellschaft.Kultur - Kunst - Utopien 2008

Simanowski, Roberto, ed. Digitale Medien in der Erlebnisgesellschaft. Kultur - Kunst - Utopien. Reinbeck bei Hamburg: rowohlts enzyklopädie, 2008.
"Memory Tracks" 1995

Gilmore, Alison. "Memory Tracks" Border Crossings 14, no. 2 (Spring 1995): 53-54.
A Turning Point in Japanese Avant-garde Art: 1964 – 1970 2008

Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.

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