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Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes
1999
Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.
Strange Attractors: A History of Video Production and Presentation in Ottawa
2000
Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
A Neglected Tradition: Art History as Bildwissenschaft
2003
Bredekamp, Horst. A Neglected Tradition: Art History as Bildwissenschaft Critical Inquiry 29 (2003).
Ars Electronica: Facing the future - a Survey of Two Decades
1999
Druckrey, Timothy, ed. Ars Electronica: Facing the future - a Survey of Two Decades. Wien, New York: Springer, 1999.
Visual Studies: A Skeptical Introduction
2003
Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.
Kunst und Fortschritt. Wirkung und Wandlung einer Idee
2002
Gombrich, Ernst Hans. Kunst und Fortschritt. Wirkung und Wandlung einer Idee. Köln: DuMont Buchverlag, 2002.
Visualizations: The Nature Book of Art and Science
2000
Kemp, Martin. Visualizations: The Nature Book of Art and Science. Berkeley, Los Angeles: University of California Press, 2000.
Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
Devices of Wonder : From the World in a Box to Images on a Screen
2001
Stafford, Barbara M. and Frances Terpak. Devices of Wonder : From the World in a Box to Images on a Screen. : Getty Catalog Press Release, 2001.
Art in the Information Age: Technology and Conceptual Art
2001
Shanken, Edward A.. Art in the Information Age: Technology and Conceptual Art In SIGGRAPH 2001 Electronic Art and Animation Catalog, edited by SIGGRAPH 2001, 8-15. New York: ACM SIGGRAPH, 2001.
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