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Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the
Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry...

Ditta, Su. Eyeing the Sublime: Poetic Politics in the Work of Lisa Steele and
Kim Tomczak In The Blood Records Written and Annotated: Critical Symptoms, Oakville, Ont.: Oakville Galleries Print., 1999.

Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.

Durand, Guy Sioui. L´indiscipline: essai sur deux zones fluides de l´interdisciplinarité
en art In Penser l’indiscipline : recherches interdisciplinaires en art contemporain, edited by Lynn Hughes and Marie-Josée LafortuneMontreal, CAN: Optica, ...

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Luhmann, Niklas. Die Kunst der Gesellschaft. Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 2002.

Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: The MIT Press, 2003.

Pettigrew, John D.. The Evolution of Binocular Vision In Evolution of the Eye and Visual System, edited by John R. Cronly-Dillon and Richard L. Gregory, 271-283. New York: MacMillan Technical Publishing, 1986.

Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.

Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.