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Burton, Ed. Artificial Innocence: Interactions between the Study of Children's Drawing and Artificial Intelligence Leonardo 30, no. 4 (1997): 301-309.

Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.

Kyong Chun, Wendy Hui. Programmed Visions: Software and Memory. Software Studies Series.. Cambridge: MIT Press, 2011.

Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.

Kyong Chun, Wendy Hui. On Sourcery and Daemons, or Code as Fetish Configurations: the Journal of the Society for Literature, Science, and the Arts , no. 16 (2008): 299-324.

Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.

Peraica, Ana. The aesthetics of the negative; or the negative dialectics of photography Journal of Physics Conference Series 012013, no. 230 (2010).

Miles, Rachel Somers and Geert Lovink, ed. Video Vortex Reader II: moving images beyond youTube. Amsterdam: Institute of network cultures, 2011.

Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.

Kera Denisa. Hackerspaces and DIYbio in Asia: connecting science and community with open data, kits and protocols Journal of Peer Production (June 2012): 8.