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Huhtamo, Erkki. Tactile Temptations: About Contemporary Art, Exhibitions and Tactility In Interface Cultures: Artistic Aspects of Interaction, edited by Christa Sommerer and Laurent Mignonneau and Dorothee King, 129-139. Bielefeld: transcript,

Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.

Huhtamo, Erkki. Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 466-473. Cambridge, MA: MIT Press, 2003.

Huhtamo, Erkki. Seeing at a Distance: Towards an Archaeology of the 'Small Screen' In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 262-278. Vienna/New York: Springer, 1998.

Huhtamo, Erkki. Seeking Deeper Contact: Interactive Art as Metacommentary Convergence 1, no. 2 (Autumn 1995): 81-104.

Huhtamo, Erkki. Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion In Critical Issues in Electronic Media, edited by Simon Penny, 159-186. Albany, NY: State University of New York Press, 1995.

Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.

Kluszczyński, Ryszard W.. Strategies of Interactive Art Journal of Aesthetics & Culture 2 (2010): 1-27.

Kluszczyński, Ryszard W.. Phenomenological Traits in Polish Film Studies Polish Art Studies IX (1988): 259-273.

Kluszczyński, Ryszard W.. Between Public and Private Space: The Art of Sanja Iveković In Sanja Iveković: Is This My True Face, edited by Tihomir Milovac, 5-15. Zagreb: Museum of Contemporary Art, 1998.