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apropriations of the (un) common public and private space in times of mobility
2009
Beiguelman, Giselle and Lucas Bambozzi and Marcus Bastos and Rodrigo Minelli, ed. apropriations of the (un) common public and private space in times of mobility. São Paulo: Instituto Sergio Motta, 2009.
“Os trópicos parecem conspirar contra a memória”
2014
Raphael Fonseca. “Os trópicos parecem conspirar contra a memória” ArtNexus , no. 94 (September/November 2014).
Os trópicos parecem conspirar contra a memória
2014
Raphael Fonseca. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
Os trópicos parecem conspirar contra a memória
2014
Fonseca, Raphael. Os trópicos parecem conspirar contra a memória ArtNexus , no. 94 (September/November 2014).
Espaços de Subordinação e Contestação nas Redes Sociais
2012
Beiguelman, Giselle. Espaços de Subordinação e Contestação nas Redes Sociais Revista USP , no. 92 (December/ February 2012): 20-31.
Algorithmisiert
2014
Eckermann, Sylvia, ed. Algorithmisiert. Vienna: Czernin Verlag, 2014.
Interface Cultures. Artistic Aspects of Interaction
2008
Christa Sommerer, Laurent Mignonneau, Dorothée King, ed. Interface Cultures. Artistic Aspects of Interaction. Linz: Christa Sommerer, Laurent Mignonneau, Dorothée King, 2008.
Digitale Medien in der Erlebnisgesellschaft.Kultur - Kunst - Utopien
2008
Simanowski, Roberto, ed. Digitale Medien in der Erlebnisgesellschaft. Kultur - Kunst - Utopien. Reinbeck bei Hamburg: rowohlts enzyklopädie, 2008.
"Memory Tracks"
1995
Gilmore, Alison. "Memory Tracks" Border Crossings 14, no. 2 (Spring 1995): 53-54.
A Turning Point in Japanese Avant-garde Art: 1964 – 1970
2008
Kusahara, Machiko. A Turning Point in Japanese Avant-garde Art: 1964 – 1970 In Place Studies in Art, Media, Science and Technology, edited by Andreas Broeckmann and Gunalan NadarajanVDG Weimar: 2008.
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