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Immersed in Technology: Art and Virtual Environments
1996
Moser, Mary Anne and Douglas MacLeod, ed. Immersed in Technology: Art and Virtual Environments. Leonardo Book Series, Cambridge, MA: The MIT Press, 1996.
Arte Y Ciencia - La Creacion en Todo su Potencial
1999
Sommerer, Christa and Laurent Mignonneau. Arte Y Ciencia - La Creacion en Todo su Potencial In Cyber@rt IV Muestra Internacional des Nuevas Tecnologias Tecnologías, Arte y Comunicación, edited by Angela Molina, 76-83. Valencia: 1999.
HAZE Express
1999
Sommerer, Christa and Laurent Mignonneau. HAZE Express In Cyber: criação na era digital, edited by R. Trindade, 7. Lisbon, Portugal: Centro Cultural de Belém, 1999.
HAZE Express
1999
Sommerer, Christa and Laurent Mignonneau. HAZE Express In CyberArts 1999: International Compendium - Prix Ars Electronica 1999, edited by Hannes Leopoldseder and Christine Schöpf, 92-93. Vienna, New York: Springer Verlag, 1999.
Interactive Plant Growing
1999
Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Ars Electronica - Facing the Future, , 393-394. Cambridge, MA: The MIT Press, 1999.
The Mona Lisa of Modern Science
2003
Kemp, Martin. The Mona Lisa of Modern Science Nature 421 (January 23th 2003): 416.
La vie revée de la technologie
1999
Beloff, Zoe. La vie revée de la technologie Trafic, revue de cinéma 30 (Summer 1999): 84-91.
Coexistence
2001
Allen, Rebecca and Eitan Mendelowitz. Coexistence In CAST01 // Living in Mixed Realities, edited by Monika Fleischmann and Wolfgang StraussSchloss Birlinghove: German Federal Ministry of Education and Research, 2001.
The Construction of Experience. Turning Spectators into Visitors
2002
Courchesne, Luc. The Construction of Experience. Turning Spectators into Visitors In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
Movies after Film - The Digitally Expanded Cinema
2002
Shaw, Jeffrey. Movies after Film - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 268-275. London, UK: ZKM Karlsruhe and BFI London, 2002.
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