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Jacobs, Cornee and Cor Blok. Met computers nieuwe werelden scheppen (Diskussion mit Jeffrey Shaw und Gert-Jan Lokhorst) In Spiraal, tien dialogen tussen kunst en filosofie, edited by Rotterdam Centrum Beeldende KunstRotterdam: Centrum Beeldende

Klyce, Brig. Can Computers Mimic Darwinian Evolution? .

Kac, Eduardo. Negotiating Meaning: The Dialogic Imagination in Electronic Art In Proceedings of Computers in Art and Design Education Conference, edited by UK University of TeessideTeeside, UK: 1999.

Mendelowitz, Eitan. The Emergence Engine: A Behavior Based Agent Development Environment for Artists In Proceedings of the Twelfth Conference on Innovative Applications of Artificial Intelligence (IAAI), edited by Los Angeles University of

Kamper, Dietmar. Das Nadelöhr. Ein weiterer Versuch, zwischen Mimesis und Simulation zu unterscheiden In Strategien des Scheins: Kunst - Computer - Medien, edited by Florian Rötzer and Peter Weibel, 16-22. München: Boer Verlag, 1991.

D'Agostino, Peter and David I. Tafler. Techno/Cultural Identities: From Ships to GigaBits In International Conference on Communication and Mass Media, Athens: ATINER, 2004.

Sturman, David J.. A Brief History of Motion Capture for Computer Character Animation .

Knuth, Donald. The Art of Computer Programming. Vol.Vol. 1. München: Addison-Wesely, 1997.

Krüger, Wolfgang and Christian Bohn and Bernd et. al. Fröhlich. The Responsive Workbench: A Virtual Work Environment IEEE-Computer 14 (1995): 12-15.

Kusahara, Machiko. Computer Art Studio Voice (March 1994).