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Sauerlaender, Tina. Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017 Self-Representation in an Expanded Field, Ace Lehner (Ed), MDPI, 2021 (2021).

Sauerlaender, Tina and Sabine Himmelsbach and Domenico Quaranta, ed. Resonanz der Realitäten - Resonant Realities. Berlin: DKB, 2021.

Sauerlaender, Tina. A Short History of Self-Representation in Digital Art DAHJ (2020).

DOMINGUES, DIANA MARIA G and M MORENO. Artes: criatividade e tecnologias. Vol.1. 1 th ed.Chapecó: ARGOS, 2019.

DOMINGUES, DIANA MARIA G. Arte, Ciência e Tecnologia: Passado, presente e desafios. São Paulo: Editora UNESP, 2009.

Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das

DOMINGUES, DIANA MARIA G and Grupo Artecno. Caverna do trance In Memórias do Futuro, edited by Itaú Cultural, Catalog. São Paulo: 2007.

DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.

DOMINGUES, DIANA MARIA G. The Immersive Poetics of Artificial Worlds Hybrid Reality Art Technology and The Human Factor 8 (2003): 579-593.

Lucia Santaella and E MOTTA and C TURELLY and DIANA MARIA G DOMINGUES. Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book In Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book, edited by Lucia SANTAELLA and Everson MOTTA ,