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Alessi, Alberto and Francesco Moschini, ed. ARCHITETTURA DI MOSTRA. 9 progetti per lo spazio espositivo della galleria A.A.M.. Rome: A.A.M. Architettura Arte Moderna, 1996.

Grau, Oliver and Thomas Veigl. Media Art's Challenge to our Societies In Imagery in the 21st Century, edited by Oliver Grau, 310-371. Cambridge, MA: MIT-Press, 2011.

Cambridge Galleries, Design at Riverside and Esther E. Shipman. Millions served. Cambridge, ON: Cambridge Galleries, 2011.

Peraica, Ana, ed. Žena na raskrižju ideologija. Split: HULU, 2007.

Huhtamo, Erkki. Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, MA: MIT Press, 2013.

Scenocosme : Grégory Lasserre & Anaïs met den Ancxt. Hybrid & Sensory Interactive Artworks. _: Scenocosme : Grégory Lasserre & Anaïs met den Ancxt, 2014.

Grau, Oliver. The Complex and Multifarious Expression of Digital Art and Its Impact on Archives and Humanities (in press) In Digital Art, edited by Christiane Paultba: 2015.

Inke Arns. 56kTV - bastard channel MAGAZIN http://www.56k-bastard.tv/struktur3/info/magazine/tvbot_e.html.

Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.

GASPARETTO, Débora Aita, ed. O "curto-circuito" da arte digital no Brasil. Vol.1. 1, 1 th ed.Santa Maria: edição do autor, 2014.