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Fleischmann, Monika and Wolfgang Strauss. Liquid Views - Rigid Waves In Visual Proceedings Siggraph ´98, International Conference on Computer Graphics and Interactive Techniques, , 21. Orlando: 1998.

Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.

Ray, Tom and Georg Gilder and Ray Kurzweil and Michael et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Lab 5: International Film, Video and Computer Art Exhibition 1995, edited by Ryszard KluszczynskiWarsaw: 1995.

Sommerer, Christa and Laurent Mignonneau. GENMA-Genetic Manipulator In Ars Electronica ´96. Memesis of the Future, edited by Art Electronica, 294-295. Wien, New York: Springer Verlag, 1996.

Cantoni, Rejane and Sergio Zilinsky. Does matter really matter? From cyberspace to architecture International Congress: the Future of the Architect [Mind, Land, Society] (June 2000).

Medicus, Thomas, ed. Tote Blicke. Geschichte der Porträtbildnerei in Wachs - ein Versuch. Berlin, DE: Akademie Verlag GmbH, 1993.

Klanten, Robert and Lukas Feiress and S. Ehmann, ed. Staging Space Scenic Interiors and Spatial Experiences. Berlin: Gestalten Verlag, 2010.

Michelin, Simone. Teleanamnesis in the Caicara Millieu In 4th International CAiiA-STAR Research Conference: Consciousness Reframed 2002, non-local, non-linear, non-ordinary, edited by John Curtin Gallery and Curtin University of Technology and

Weibel, Peter; Peter Fleck (Hg.). Gespräch mit Friedrich Kittler In Peter Weibel. Zur Rechtfertigung der hypothetischen Natur der Kunst und der Nicht-Identität in der Objektwelt, edited by Robert Fleck, 149-163. Köln, DE: Grunnert, 1992.