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Arte pós-virtual: criação e agenciamento no tempo da Internetdas Coisas e da próxima natureza(Post virtual: art in the Internet of Things age 2013

Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7.
"Memory Tracks" 1995

Gilmore, Alison. "Memory Tracks" Border Crossings 14, no. 2 (Spring 1995): 53-54.
We Will Open the Panorama-kan: The Beginning of the ‘Panorama Craze’ in Meiji Japan 2010

Kusahara, Machinko. We Will Open the Panorama-kan: The Beginning of the ‘Panorama Craze’ in Meiji Japan In The Panorama in the Old World and the New, edited by Gabriele KollerBüro Wilhelm, Amberg: 2010.
Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art 2011

Kusahara, Machinko. Assembling Art, Design, Technology and Media Culture: The Challenge of Japanese Device Art In Coded Cultures. New Creative Practices out of Diversity, edited by Georg Russegger and Matthias Tarasiewicz and Michal
Memory Tracks 1995

Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Memory Tracks 1995

Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Memory Tracks 1995

Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Memory Tracks 1995

Gillmor Allison. Memory Tracks Border Crossings (Spring 1995): 53-54.
Creative Code 2004

Maeda, John. Creative Code. London: Thames&Hudson, 2004.
Peter Weibel. Depiction is a Crime. Video Works 1969 - 1975 [DVD+Booklet] 2006

Weibel, Peter, ed. Peter Weibel. Depiction is a Crime. Video Works 1969 - 1975 [DVD+Booklet]. Wien: Medienwerkstatt Wien, 2006.

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