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Hadley, Bree. Review of the 080808 UpStage Festival Australian Stage Online (2008).

Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses

Badani, Pat and Paula Gaetano Adi and Gustavo Crembil and Tania Aedo and Diana Domingues and Eduardo Castillo and Pedro & Prado de O. Martins Vieira de Oliveira and José-Carlos Mariátegui and Heber Rodriguez and Luis Fernan Median Cardona, ed.

Ahmedien, Diaa. New-media arts-based public engagement projects could reshape the future of the generative biology. Medical Humanities , no. https://mh.bmj.com/content/early/2020/05/28/medhum-2020-011862 (2020).

Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.

Everitt, Dave and Simon Mills. Cultural anxiety 2.0 Media, Culture & Society , no. https://doi.org/10.1177/0163443709339463 (September 2009).

Everitt, Dave. The Artist as Digital Explorer Explorations in Art and Technology , no. https://doi.org/10.1007/978-1-4471-0197-0_18 (2002): 173-178.

Cvetkovich, Thomas. Holography at the Butler Institute of American Art Journal of Physics: Conference Series , no. 415 (2013) 012016 (2013): 1-11.

Strauss, Wolfgang and Monika Fleischmann. Information Jukebox? A semi-public device for presenting multimedia information content. Personal and Ubiquitous Computing 7(3-4), no. DOI: 10.1007/s00779-003-0219-x (July 2003): :217-220.

Nagata, Tomoyuki. Computer Graphics Art Work ISBN 4-7661-0682-2. 1st th ed.Tokyo, Japan: Graphic-sha, 1992.