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Feminism, Culture, and Media Studies: Race and/as Technology 2009

... Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.
Borges, Science Fiction, Hyperfiction: three means to Post-Human ?Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? 2007

... to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).
The Practice of LightA Genealogy of Visual Technologies from Prints to Pixels 2014

... of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.
The Cinema Effect 2005

...Cubitt, Sean. The Cinema Effect. Cambridge: MIT Press, 2005.
Warren Neidich: Camp O.J. 2000

...Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc....
Warren Neidich: Historical In(ter)vention 1991

... and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.
Making Things Public. Atmospheres of Democracy 2005

... Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.
A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961-1973 2011

... and Bit International, 1961-1973. Karlsruhe, Germany; Cambridge, Mass. USA:ZKM: MIT press, 2011.
Sylvia Grace Borda: Camera Histories 2014

...Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014):...
The Interface Effect 2012

...Galloway, Alexander. The Interface Effect. Cambridge: Polity, 2012.

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