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George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film"
2001
Dreidger, Sharon Doyle. George Bures Miller and Janet Cardiff : "we´ve always been close artistically. Part of our dating process was collaboration on a film" Maclean´s 114, no. 52 (December 2001): 38.
What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film
1998
Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.
Visualization in the Life Sciences
2006
Cox, Donna. Visualization in the Life Sciences In Aesthetic Computing, edited by Paul FishwickThe Leonardo Book Series, , 89-14. Cambridge, MASS: MIT Press, 2006.
Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound
2005
Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
NETworking Net Art
2007
Boredomresearch. NETworking Net Art In Computer Fine Art Collection, edited by Illana Tenenbaum and Christiane Paul, 20. Haifa: Haifa Museum of Art, 2007.
Faster, Higher
2009
Pui, Susan and Nina Ernst, ed. Faster, Higher. London, UK: Film and Video Umbrella, 2009.
Thomson and Craighead Minigraph
2005
Archer, Michael and Julian Stallabrass. Thomson and Craighead Minigraph. London, UK: Film and Video Umbrella, 2005.
Future Cinema - The Cinematic Imaginary after Film
2003
Shaw, Jeffrey and Peter Weibel, ed. Future Cinema - The Cinematic Imaginary after Film. Cambridge, MASS: The MIT Press, 2003.
Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz
2006
Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:
Movies after Film - The Digitally Expanded Cinema
2002
Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
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