Archive Search

Moscow Museum of Modern Art, ed. The History of Gender and Art in Post-Soviet Space. Moscow: MMOMA, 2010.

Groys Boris and Degot Ekaterina and Riff David and Costinas Cosmin. Shockworkers of the Mobile Image - Catalog. Ekaterinburg: 1st Ural Industrial Biennial of Contemporary Art, 2010.

Manovich, Lev and Jean-Luc Alpigiano, ed. CommunicationIdentification. Paris: Galerie Jorge Alyskewycz, 1999.

Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.

Zhukova, Daria and Herve Mikaeloff and Dimitri et. al. Ozerkov. Futurologia. Moscow, Russia: CCC Garage, 2010.

Kisseleva, Olga, ed. Divers fait. Paris: Jannink Editions, 2010.

Fuller, Matthew. The Cat Seemed to Think There was Enough of it Now in Sight Online Publication on Artist´s Homepage (2010).

Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.

Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).

Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.