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Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.

Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Vol.1. ohn Hope Franklin Center Book, 1 th ed.United States of America: Duke University Press, 2010.

Courchesne, Luc. The Construction of Experience. Turning Spectators into Visitors In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.

Ray, Tom. An Evolutionary Approach to Synthetic Biology: Zen in the Art of Creating Life In Advances in Evolutionary Computing, edited by Ashish Ghosh and Tsutsui Shigeyoshi, 479-517. Berlin, Heidelberg, New York: Springer, 2003.

Couchot, Edmont. Zwischen Reellem und Virtuellem: Die Kunst der Hybridation In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian UND Weibel Rötzer, 340-449. München: Boer Verlag, 1993.

Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International Symposium on Electronic Art, edited by Michael B. Roetto, 36-40. Rotterdam: 1997.

Kluszczyński, Ryszard W.. Political Strategies in Polish Popular Cinema In Z problemów poetyki filmu, edited by Mirosława Zalska-Kaca, 131-132. Łódź: Wyd. Uniw. Łódzkiego, 1993.

Albuquerque, Beatriz. Critical Techniques: Theater Exercises for the Classroom In Art School Critique 2.0, edited by Richard JochumNew York: Teachers College, Columbia University, 2017.