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Joselit, David and Ron Platt and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.

Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.

Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.

Sardar, Ziauddin and Sean Cubitt, ed. Aliens R Us : the other in science fiction cinema. London/Sterling: Pluto Press, 2002.

Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.

Cubitt, Sean. Audiovisionaries of the Network Planet In Globalization and contemporary art, edited by Jonathan Harris, 225-236. Malden, Mass.: Wiley-Blackwell, 2011.

Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.

Cubitt, Sean. Data Visualisation and the Subject of Political Aesthetics In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.

Cubitt, Sean. Utopia In The Encyclopedia of Aesthetics, edited by Michael KellyOxford: Oxford University Press, 2014.

Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.