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O`Donoghue, Karl. Virtual Ecology: The Work of Char Davies In Thought Lines 3: An Anthology of Research, edited by Paul O´Brien, 284-294. Dublin: National College of Art and Design, 1999.

Reisinger, Gunther. 0 oder1? Computerkünstlerische Spiele mit dem binären Zufall In SpielKunstGlück. Die Wette als Leitlinie der Entscheidung, edited by Johann Konrad Eberlein, 181-192. Wien/Berlin: Lit-Verlag, 2011.

Hauser, Jens. Greenness: Sketching the Limits of a Normative Fetish In The Aesthetics of Necropolitics, edited by Natasha LushetichVol.4. Experiments/On the Political, , 97-118. London: Rowman & Littlefield Publishers, 2018.

Berlot, Uršula. Space and Spectator: Embodied Perception in the Art of Installation Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti XLVI/274, no. 27-54 (2018).

Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.

Sermon, Paul. From Telematic Man to Heaven 194.94.211.200 In Consciousness Reframed, Proceedings of the First CAiiA Research Conference, University of Wales College, Newport, University of Wales College, Newport: 1997.

Schnell, Ruth. In/different Spaces Lecture, 1999 as part of the project Differenz held at the Institute of Art History of the University of Innsbruck. Published in: Institute of Art History of the University of Innsbruck (editor): Differenz,

Michelin, Simone. Luciferins: Simone Michelin https://issuu.com/simonemichelin/docs/michelin-luciferinas_08f00c167e72c5.

JOSEPHINE BOSMA. Automatic Rain http://rhizome.org/editorial/2017/mar/24/automatic-rain/ [27.March.2017].

ARS ELECTRONICA. Project Genesis ARS ELECTRONICA Catalogue (2013).