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Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.

Cubitt, Sean and Daniel Palmer and Nathaniel Tkacz, ed. Digital Light. London: Open Humanities Press, 2015.

Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).

Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc. and Bayly Art Museum, 2000.

Hudson, Dale and Patricia Zimmermann, ed. Thinking Through Digital Media - Transnational Environments and Locative Places. New York: Palgrave Macmillan, 2015.

Alsina, Pau. From the digitization of culture to digital culture. De la digitalización de la cultura a la cultura digital Digithum. Las humanidades en la era digital. , no. 12 (2010).

Fourmentraux Jean-Paul and Mahé Emmanuel and Huitorel Jean-Marc and Pontbriand Chantal. Valeurs croisées, catalog of the 1st Rennes Contemporary Art Biennale. Dijon, France: Les presses du réel, 2009.

Amerika, Mark, ed. Creative Evolution: natural selection and the urge to remix. UK: Open Humanities Press, 2011.

Manovich, Lev. The Science of Culture? Social Computing, Digital Humanities, and Cultural Analytics http://manovich.net/index.php/projects/cultural-analytics-social-computing.

Iglesias, Ricardo. La máquina y la carne. La realidad vs el arte róbotico. ISBN: 9788415415190 th ed.Madrid: Evohé: In "De Prometeo a Frankenstein. Autómatas, ciborgs y otras criaturas más que humanas" Various Authors, 2012.