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Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Media Time: WOOD and BYTE: Festival delle nuove tecnologie mulitmediali, edited by M. G. Mattei, 56-61. Bolzano, IT: Centro Audiovisivi, Bolzano, 1999.

Malloy, Judy. Women, Art, and Technology. Leonardo, Cambridge, MA: MIT Press, 2003.

Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.

Popper, Frank. Art of the Electronic Age. New York: Thames and Hudson, 1997.

Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).

Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.

Grau, Oliver and j. Joerges. Lebendige Bilder schaffen: Virtuelle Realität, Artificial Life und Transgenic Art In Sieben Hügel: Dschungel. Sammeln, Ordnen, Bewahren: Von der Vielfalt des Lebens zur Kultur der Natur, edited by B.-M. Baumunk,

Tosa, Naoko and Ryohei Nakatsu and Joy Nicholson. Emotion Recognition and its Application to Computer Agents with Spontaneous Interactive Capabilities In Workshop on Emotion-Based Agent Architectures (EBAA’99), , 84-93. : 1999.

Graham, Beryl. Not A Show About New Technology, A Show About Interaction In Serious Games, London: Barbican Art Gallery and Tyne and Wear Museums, 1996.