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Lavoslava Benčić. The virtual thematic route Emil Benčić : from experience to infinity https://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a= ISEA International. (20): 20-26.

Lavoslava Benčić. An inside look at Oslo's intensive teacher technology training https://web.archive.org/web/20130310022409/edudemic.com/2012/09/an-inside-look-at-oslos-intensive-teacher-technology-training Edudemic (2012).

Lavoslava Benčić. Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage produkcije novomedijskega projekta http://repozitorij.ung.si/IzpisGradiva.php?id=1842 Master Thesis, Schol of Arts, Nova Gorica,

Sommerer, Christa and Laurent Mignonneau and Roberto Lopez-Gulliver. Time_lapse: an immersive interactive environment based on historic stereo images IEEE SMC'99 System Man and Cybernetics Conference Proceedings (1999).

Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.

Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.

...Sanchez Cardona, LM. Approximations to the New Narrative of...

Roger Malina, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.

Sommerer, Christa and Laurent Mignonneau and Roberto Lopez-Gulliver. Time_lapse: an immersive interactive environment based on historic stereo images IEEE SMC'99 System Man and Cybernetics Conference Proceedings (1999).

Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.