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Necromedia - Reversed Ontogeny or Posthuman Evolution?. Necromedia—Reversed Ontogeny or Posthuman Evolution? Digital Death: Mortality and Beyond in the Online Age (2014): 181.

Kera, Denisa. The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests cience Exhibitions: Curation & Design (2010): 196.

Kera, Denisa and Marc Tuters. Social Stomach: Performative Food Prototypes Proceedings 2nd International Workshop "Creative Science - Science Fiction Prototyping for Technology Innovation" (CS'11) (2011).

Falk Heinrich. Performing Beauty in Participatory Art and Culture. New York: Routledge, 2014.

Perra, Daniele. Diego Caglioni Artribune , no. 9 (September-October 2012).

Beiguelman, Giselle and Ana Gonçalves Magalhães, ed. Possible Futures: Art, Museums and Digital Archives. São Paulo: Peirópolis/ Edusp, 2014.

Beiguelman, Giselle. Copiar é preciso. Inventar não é preciso. seLecT 01, no. 01 (August/September 2011): 37-43.

Beiguelman, Giselle. Link-se: arte/mídia/política/cibercultura.. São Paulo: Peirópolis, 2005.

Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.

Kronman, Linda and Andreas Zingerle. Re: Dakar Arts Festival-Exploring Transmedia Storytelling Methods to Document an Internet Scam. Interactive Storytelling. Springer International Publishing (2013): 253-256.