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  • Laurel, Brenda, ed. Design Research: Methods and Perspectives. Cambridge, MA: MIT Press, 2004.
  • Mavignier, Almir. neue tendenzen I - ein überraschender Zufall In tendencje 4, edited by Boris Kelemen and Radoslav PutarZagreb: 1970.
  • Neidich, Warren. The Sarah Palin Memorial Library. East Hampton, New York: Glenn Horowitz Books, 2010.
  • Pearlman,Ellen. Navin Rawanchaikul, Super China Yishu Journal of Contemporary Chinese Art 8, no. 4 (July/August 2009).
  • Berlot, Uršula. Duchamp and the Notion of Optical Tactility Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics. University of Murcia (2011).
  • Kac, Eduardo. Eduardo Kac: Teleporting an Unkown State In Teleporting an Unknown State, edited by Peter Tomaz Dobrila and Aleksandra Kostic, 4-7. Maribor, Slovenia: KIBLA Maribor, 1998.
  • Weibel, Peter and Otto E. Rössler. Unsere Regenbogenwelt In Ars Electronica 1992: Die Welt von Innen - Endo and Nano, edited by Karl Gerbel and Peter Weibel, 13-21. Wien: PVS Verleger, 1992.
  • Eliot, Charles William, ed. A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful. The Harvard Classics, Vol. 24, Part 2, New York: Collier and Son Comp., 1909.
  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In VIDÉOFORMES 98. Culture Contemporaine Arts Video, Nouvelles Technologies, edited by G. Soucheyre, 10-13. Clermont Ferrand: Turbulences Vidéo, 1998.
  • Weibel, Peter. Statement zu einer Kunst im Netzwerk In Teletopologie Österreich - Materialien zur Medienkunst, Medien.Kunst.Passagen, edited by Thomas Feuerstein and Romana Schuler, 153-160. Wien: Passagen Verlag, 1994.