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Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.

Sommerer, Christa and Gerald Bast and Wolfgang Fiel. Solar Display: A Self-powered Media Facade In New Realities: Being Syncretic, Consciousness Reframed: The Planetary Collegium’s IXth International Research Conference, edited by Roy

Sommerer, Christa and Laurent Mignonneau. Media Facades as Architectural Interfaces The Art and Science of Interaction and Interface Design 1 (2008): 91-102.

Benayoun, Maurice. Le devenir de l´A.M.E., la réalité virtuelle comme écosystème pour la création artistique In Design assisté par concepteur, actes colloque 01 Design, : Europia, 2010.

Benayoun, Maurice. World Skin, a photo safari in the Land of War sk-Interfaces (2008).

Bennayoun, Maurice. Emotion Vending Machine In Smile Machines, , 100-101. Berlin: Duguet, Anne-Marie, 2006.

Basanta, Adam. Tracing Conceptual Structures in Listener Response Studies New York, USA: EMS 11, 2011.

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies