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Chronopolis: Inhabiting Time 2004

Salter, Chris and Erik Adigard. Chronopolis: Inhabiting Time Loudpaper Magazine (June 2004).
The Architecture of Listening, Crossfade: Sound Travels on the Web 2000

Chris Salter. The Architecture of Listening, Crossfade: Sound Travels on the Web .
Sponge: The Surface That Holds the Image is Unstable 2000

Chris Salter. Sponge: The Surface That Holds the Image is Unstable ec/artsS 2[00-01]: Special: Textualities and Nouvelles Technologies 2, no. 1 (Fall 2000).
The Cybernetic Stance: My Process and Purpose 1968

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance 2007

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited
Sponge: A Case Study in Practice-based, Collaborative Research 2005

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM
The Construction of Change 1964

Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
The Cybernetic Stance: My Process and Purpose 1968

Ascott, Roy. The Cybernetic Stance: My Process and Purpose Leonardo 1, no. 1 (1968): 105-112.
Art as an Alternative to Education, or, The Rise of the Jam Factory 1972

Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.
Behaviorables and Futuribles 1970

Ascott, Roy. Behaviorables and Futuribles Control 5 (1970): 3.

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