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Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International Symposium on Electronic Art, edited by Michael B. Roetto, 36-40. Rotterdam: 1997.

Kluszczyński, Ryszard W.. From Film to Interactive Art: Transformations in Media Arts In MediaArtHistories, edited by Oliver Grau, 207-228. Cambridge, MA/London: MIT Press, 2007.

Kluszczyński, Ryszard W.. Artistic Gesture: Expression, Communication, Participation In Mirosław Rogala: Gestures of Freedom, edited by Ryszard W. KluszczyńskiKraków: Laznia Centre for Contemporary Art, 2001.

Kluszczyński, Ryszard W.. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration Leonardo 40, no. 5 (2007): 469-474.

Kluszczyński, Ryszard W.. The Aesthetics of Reason and Care In Crude Life: The Issue Culture & Art Project: Oron Catts & Ionat Zurr, edited by Ryszard W. Kluszczyński, 72-91. Gdańsk: Laznia Centre for Contemporary Art, 2012.

Kluszczyński, Ryszard W.. Phenomenological Traits in Polish Film Studies Polish Art Studies IX (1988): 259-273.

Kluszczyński, Ryszard W.. Between Public and Private Space: The Art of Sanja Iveković In Sanja Iveković: Is This My True Face, edited by Tihomir Milovac, 5-15. Zagreb: Museum of Contemporary Art, 1998.

Kluszczyński, Ryszard W.. Political Strategies in Polish Popular Cinema In Z problemów poetyki filmu, edited by Mirosława Zalska-Kaca, 131-132. Łódź: Wyd. Uniw. Łódzkiego, 1993.

Kluszczyński, Ryszard W.. Living between Reality and Virtuality: Remarks over the Work of Monika Fleischmann and Wolfgang Strauss In Performing Data: Monika Fleischmann + Wolfgang Strauss, edited by Krzysztof Miękus, 6-20 pages. Gdańsk: Laznia

Hessels, Scott. Sustainable Cinema No. 4: Shadow Play Leonardo 4, no. 40 (2012): 384-395.