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Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.

Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.

Roger Malina, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.

Sommerer, Christa and Laurent Mignonneau and Roberto Lopez-Gulliver. Time_lapse: an immersive interactive environment based on historic stereo images IEEE SMC'99 System Man and Cybernetics Conference Proceedings (1999).

Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.

Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring

Joan Truckenbrod, Chair: The Art Gallery: Touchware. ACM SIGGRAPH Electronic Art and Animation Catalogue Computer Graphics Annual Conference Series 1998 ISBN 1-58113-045-7 ISSN 1098-6154 © 1998 ACM Association for Computing Machinery

Sanchez Cardona, LM. Sounds [That] Are Not. Is there any time left? In Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene, edited by Ryszard W. KluszczynskiArt+Science Meetings, Gdańsk: LAZNIA Centre for

Malina, Roger, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.

Malina, Roger, ed. Leonardo (Journal of the International Society of Arts, Sciences and Technology) Volume 34 Number 4.. Vol.34. 4 th ed.New York, NY: Leonardo / MIT Press, 2001.