Search

Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition 2010

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art 2009

... composition and audience in contemporary...
Entangled: Technology and the Transformation of Performance 2010

...r, Chris. Entangled: Technology and the Transformation of...
The Poetics of Sonic Interaction Design 2013

...Salter, Chris and Karmen Franinovic. The Poetics of Sonic...
Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe 2010

... Force: Music and Sound in the...
The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision 2009

... Absorption and Dissolution in the...
Environments, Interactions and Beings: The Ecology of Performativity and Technics 2009

...ris. Environments, Interactions and Beings: The Ecology of...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

... Sonification and Composition: Responsive...
Dramaturgies of Sound: Interactive Sound Design in Live Performance 2008

Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.

Search results 1291 until 1300 of 2941

Archive Search