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Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.

Sturken, Marita and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford, UK: Oxford University Press, 2001.

Weibel, Peter. Die Welt der virtuellen Bilder Camera Austria 46 (1994): 42-51.

Allen, Carl. Trois oeuvres Montréalaises font l'événement Qui fait quoi , no. 140 (Novembre and Décembre 1995).

Aloisi, Sonia. Arte Genetica. Nascono dal caso le piante virtuali Virtual (1993).

Altick, Richard. The Shows of London: A Panoramic History of Exhibitions 1600-1862. Cambridge, Massachusetts: Belknap Press, 1978.

Anderson, R. L.. A Real Experiment in Virtual Environments: A Virtual Batting Cage Presence: Teleoperators and Virtual Environements 2, no. 1 (1993): 16-33.

Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.

Ascott, Roy. Das digitale Museum / The Digital Museum In Perspektiven der Medienkunst / Media Art Perspectives, edited by H. Schwartz, 76-83, 183-189. Karlsruhe, Deutschland: Cantz Verlag, 1996.

Barfield, Woodrow and Claudia Hendrix and Kurt Kaczmarek and Lotens, Wouter. Comparison of Human Sensory Capabilities with Technical Specifications of Virtual Environment Equipment Presence 4, no. 4 (1995): 329-356.