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Die digitale Bildrevolution
1985
Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.
Die Ästhetik
des
Erscheinenden / Apparitional Aesthetics
1995
...Ascott, Roy. Die Ästhetik
des
Erscheinenden /...
Der Bruch
des
Bil
des
. Vom Tafelbild zum Bildschirm
1990
...Weibel, Peter. Der Bruch
des
Bil
des
. Vom Tafelbild zum...
Behaviourist Art and the Cybernetic Vision
2002
Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.
From Virtual to Public Space Toward an Impure Art
2001
Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.
A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful
1909
Eliot, Charles William, ed. A Philiosophical Enquiry into the origin of our ideas of the Sublime and Beautiful. The Harvard Classics, Vol. 24, Part 2, New York: Collier and Son Comp., 1909.
The Human Interface: Where People and Computers meet
1984
Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.
Die Wirklichkeit
des
Scheins
1991
...z, Norbert. Die Wirklichkeit
des
Scheins In Strategien...
3D-Computergrafik und -animation. Mit einer Beschreibung von Auto
des
k 3D Studio
1993
... von Auto
des
k 3D Studio. Bonn,...
Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst
2000
Weibel, Peter. Das Publikum will Technik sehen. Der Künstler und Medientheoretiker Peter Weibel über die Wechselwirkung von Computern und Kunst Die Welt (February 25th 2000): 34.
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