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Reichle, Ingeborg. Kunst im Zeitalter der technischen Reproduzierbarkeit des Menschen. Zur Rezeption der Gentechnik in der zeitgenössischen Kunst KunstTexte 1 (2001).

Sommerer, Christa and Laurent Mignonneau and Roberto et. al. Lopez-Gulliver. Riding the Net: A Novel, Intuitive and Entertaining Tool to Browse the Internet In SCI 2001 – 5th World Multiconference on Systemics, Cybernetics and Informatics

Sandin, Dan. EVL: Alive on the Grid In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 2001.

Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Media Time: WOOD and BYTE: Festival delle nuove tecnologie mulitmediali, edited by M. G. Mattei, 56-61. Bolzano, IT: Centro Audiovisivi, Bolzano, 1999.

Malloy, Judy. Women, Art, and Technology. Leonardo, Cambridge, MA: MIT Press, 2003.

Morse, Margaret. Tender Technology In Art As Signal: Inside the Loop, edited by Krannert Art Museum: 1995.

Popper, Frank. Art of the Electronic Age. New York: Thames and Hudson, 1997.

Prophet, Jane. Treason`s Script: Interactive Narrative Artwork on CDROM Performance Research Online 4, no. 2 (Summer 1999).

Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.