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Vom Symbol zum Logo: Zeichen des Realen
1987
...Weibel,
Peter
and Oswald Oberhuber. Vom Symbol zum Logo: Zeichen des Realen In Im Bauch des Biestes: Logokultur, Arbeiten des WS 1986/87 der...
Making Things Public. Atmospheres of Democracy
2005
...Latour, Bruno and
Peter
Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.
Record Again! 40 Jahre Videokunst.de. Teil 2.http://zkm.de/publikation/record-again
2010
...Weibel,
Peter
and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. 535 S. : zahlr....
Record Again! 40 Jahre Videokunst.de. Teil 2.http://zkm.de/publikation/record-again
2010
...Weibel,
Peter
and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. 535 S. : zahlr....
Record Again! 40 Jahre Videokunst.de. Teil 2.http://zkm.de/publikation/record-again
2010
...Weibel,
Peter
and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. 535 S. : zahlr....
Record Again! 40 Jahre Videokunst.de. Teil 2.http://zkm.de/publikation/record-again
2010
...Weibel,
Peter
and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.1. 1, 535 S. :...
Record Again! 40 Jahre Videokunst.de. Teil 2.http://zkm.de/publikation/record-again
2010
...Weibel,
Peter
and Christoph Blase, ed. Record Again! 40 Jahre Videokunst.de. Teil 2. http://zkm.de/publikation/record-again. Vol.1. 1, 535 S. :...
Techno/Cultural Consciousness Across the Digital Divide
2002
...D'Agostino,
Peter
and David I. Tafler. Techno/Cultural Consciousness Across the Digital Divide In Concisousness Reframed, Curtin: Curtin...
Dramatic Presence
1993
...Kelso, Margret Thomas and
Peter
Weyhrauch and Joseph Bates. Dramatic Presence Presence 2, no. 1 (1993).
Clip, Klapp, Bum. Von der visuellen Musik zum Musikvideo
1991
...Bódy, Veruschka and
Peter
Weibel. Clip, Klapp, Bum. Von der visuellen Musik zum Musikvideo. Köln: DuMont, 1991.
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