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Futuros Possiveis: Arte, Museus e Arquivos Digitais / Possible Futures: Art, Museums and Digital Archives
2015
... de Sao Paulo,
2015
.
Eternally present and eternally absent: the cultural politics of a thanatophobic Internet and its visual representations of artificial existences
2015
... 20, no. 4 (
2015
): 319-333.
Water e-Motion: Transformative Water Views in Caring and Daring – Water
wheel
World Water Day Symposium 2014 – 3WDS14, e-book
2015
... Australia,
2015
. – Water
wheel
World Water Day...
Water e-Motion: Transformative Views In Water Views: Caring and Daring – Water
wheel
World Water Day Symposium 2014 – 3WDS14, e-book
2015
... Incorporated,
2015
. – Water
wheel
World Water Day...
Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage produkcije novomedijskega projekta http://repozitorij.ung.si/IzpisGradiva.php?id=1842
2015
... Nova Gorica,
2015
.
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy.
2015
... (June
2015
).
Development of Simulation Interfaces for Evaluation Task with the Use of Physiological Data and Virtual Reality Applied to a Vehicle Simulator
2015
... Imaging (
2015
).
Os ambientes interativos como mediadores na construção de duplos digitais.
2016
Tavares, Monica. Os ambientes interativos como mediadores na construção de duplos digitais. Anais do 15 Econtro Internacional de Arte e Tecnología Brasilia, Brasil: Universidade de Brasilia , no. ISSN 2238-0272 (February 2016): 405-406.
Ästhetik des Digitalen
2002
Gianetti, Claudia. Ästhetik des Digitalen. Vol.1. SBN 3-211-00571-4, 1 th ed.ien Ney York: Springer Wien Ney York,
200
2.
Closed Circuit
2004
Kacunko, Slavko. Closed Circuit. Vol.1. ISBN 3-8325-0600-4, 1 th ed.Berlin: Logos Verlag,
200
4.
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