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Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations.
2012
Basanta, Adam. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations. In Electroacoustic Music Studies Conference 2012, edited by Electroacoustic Music Studies
Tracing Conceptual Structures in Listener Response Studies
2011
Basanta, Adam. Tracing Conceptual Structures in Listener Response Studies New York, USA: EMS 11, 2011.
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music
2010
Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
2009
Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art
2009
Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic
Entangled: Technology and the Transformation of Performance
2010
Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.
The Poetics of Sonic Interaction Design
2013
Salter, Chris and Karmen Franinovic. The Poetics of Sonic Interaction Design In Sonic Interaction Design: Process and Products, edited by Karmen Franinovic and Stefania SerafinCambrigde, MA: The MIT Press, 2013.
Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe
2010
Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.
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