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Flanagan, Mary. Critical Play: Radical Game Design. Cambridge, MA: MIT-Press, 2009.

Flanagan, Mary and Austin Booth, ed. Re:skin. Cambridge, MA: MIT-Press, 2006.

Flanagan, Mary and Helen Nissenbaum. Values at Play in Digital Games. Cambridge, MA: MIT-Press, 2014.

Flanagan, Mary and Peter Carini. How Games Can Help us Access and Understand Cultural Artifacts American Archivist 75, no. 2 (2012): 514-537.

Flanagan, Mary and Austin Booth, ed. Reload: Rethinking Women + Cyberculture. Cambridge, MA: MIT-Press, 2002.

Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.

Vesna, Victoria. Database Aesthetics: Art in the Age of Information Overflow. Minneapolis, MN: University of Minnesota Press, 2007.

Lin Hsin Hsin. Love @ 1st Byte, ISBN: 978-981-02-1026-4, http://www.lhham.com.sg/shop/love.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing Co, 1992.

Lin Hsin Hsin. Perception Based Art, eBook, ISBN: 978-981-07-0662-3. Vol.1. 1 th ed.Singapore: Lin Hsin Hsin Art Museum, 2011.

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.