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Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.

Salter, Chris and Karmen Franinovic. The Poetics of Sonic Interaction Design In Sonic Interaction Design: Process and Products, edited by Karmen Franinovic and Stefania SerafinCambrigde, MA: The MIT Press, 2013.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the Practice of Choreography, edited by Steven SpierLondon, UK: Routledge Press, 2010.

Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision In See This Sound - Audiovisuologies 2, edited by Lentos Museum and Ars Electronica and Ludwig Boltzman InstitutKöln, DE:

Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.

Salter, Chris and Marije Baalman and Harry C. Smoak. Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork In Proceedings for 9th Annual Conference in New Interfaces for Musical Expression (NIME 2009), Pittsburg, Pa, USA:

Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.

Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).