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Tense Present 2020

Kleindients, živa and Peter Tomaz Dobrila, ed. Tense Present. Maribor: KIBLA, 2020.
ARTEC '89: the possibility for art and technology 1989

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.
Art, Surveillance and Metadata 2016

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.
Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. 2016

Waelder, Pau. Selling and collecting art in the network society. Interactions among contemporary art new media and the art market. Phd Thesis, Universitat Oberta de Catalunya, Barcelona, February 2016.
Art of The Digital Age 2006

Wands, Bruce. Art of The Digital Age. 1st Edition th ed.London + NYC: Thames & Hudson, 2006.
Bodyfraction 2020

Tomislav Vignjević. Bodyfraction Nova Gorica: Municipal Gallery Nova Gorica (2020).
Performance Art nach '45: Aktionstheater und Intermedia 2001

Dreher, Thomas. Performance Art nach '45: Aktionstheater und Intermedia. Munich: Wilhelm Fink Verlag, 2001.
Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976 1992

Dreher, Thomas. Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main: Peter Lang, 1992.
Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion 2015

Moore, Lila. Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.
Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness 2017

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

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